Biographical Information and Studies

Born in Thessaloniki, Greece

Graduated (top of her class) from the School of Philosophy of the University of Athens

1971-1985: Researcher in the Academy of Athens (Centre for the Editions of Ancient Greek Texts)

1973-1976: Post-graduate studies at the Universities of Reading and London (University College) on Scholarships from the S. Saripolou Foundation of the University of Athens and Hollier of the University of London. Specialized in Classical Philology, dramatic poetry.   PhD in 1976 with distinction. The topic of her doctoral dissertation : “Studies in Fourth-Century Tragedy”.

Foreign Languages: English (fluently), French (very good)

Family status: Married to Andreas Karamanos, Emeritus Professor of the Agricultural University of Athens. Two children: a daughter, Assistant Professor of the Department of Theatre Studies of the University of the Peloponnese and a son, psychiatrist, graduate of the Medical School of the Athens University  

Academic Career

1985-1994: Director of the Centre for the Editions of Ancient Greek Texts of the Academy of Athens. Author and publication editor of ancient Greek and Byzantine texts

1987-1992: Assistant Professor of Ancient Greek Philology in the School of Philosophy (Faculty of Philology) of the University of Athens

1992-1998: Associate Professor.

1998-2008: Professor (University of Athens)

2008-2014: Professor of Ancient Greek Philology by invitation at the University of the Peloponnese 

Administrative Career

• Director of the Centre for the Editions of Ancient Greek Texts of the Academy of Athens (1985-1994)
• Head of the Department of Classics and of the Seminary of Classical Philology at the University of Athens (1992-2002)
• Member of the Governing Board of the University of the Peloponnese (2004-2009)
• Chair of the Temporary General Assemblies of the Faculties of History-Archaeology and Cultural Management (2004-2009) and Philology (2005-2009) at the School of Humanities and Cultural Studies of the University of the Peloponnese, Kalamata.
• Member of the Temporary General Assembly of the Faculty of Theatre Studies of the University of the Peloponnese (2003-2009)
• Director of the Research Institute of Byzantine Culture, Mystras (2007-)
• Chair of the Faculty of Philology of the University of the Peloponnese (since 2010)
• Director of the Joint Master’s Programme “Moral Philosophy” (since 2011). The Programme operates in collaboration with the Department of Philosophy, Pedagogy and Psychology of the University of Athens
• Director of the International Master’s Programme “Developing the teachers’ skills in special education and training to manage problems in children with complex cognitive, emotional and social difficulties and in their families” since 2012
• Director of the Master’s Programme “Ancient Greek Philology” since 2013 

Scientific and Academic Activities-Distinctions

1992 -: Honorary Research Fellow of the University College London

1996-: Editor-in-chief of the scientific journal of the Society of Greek Philologists Platon

2000-: President of the Society of Greek Philologists

2004–2005: Special Advisor on issues of Education to the Greek Deputy-Minister of Foreign Affairs  

2005- : Vice-President of the Cultural Association “Greek Language Heritage”

2005- : Honorary Distinction from the American Foundation of Hellenic Studies on the occasion of the establishment of Chair of Hellenic Studies in Georgia State University (Atlanta, Georgia, 30/1/2005)

2006-2008 : National Delegate for the Social and Economic Sciences and the Humanities in the 7^th Programme-Framework of the EU.

2006- : Honorary Citizen of the City of Kalamata

2007- : Honorary Distinction from the Pan-Messinian Association of the USA and Canada for her contribution to the promotion of Greek language in Greek Diaspora

2010- : Honorary Citizen of the City of Mystras

2010- : Chair of the Organizing Committee of the International Conference for the 2500^th anniversary of the Battle of Marathon

2010- : Member of the editorial board of the international journal Emerita

2010- : Reviewer of scientific papers on Classical Philology, appointed by the Supreme Council of Universities of Egypt

Reviewer of research proposals of the University of Cyprus

Book reviewer at the Bryn Mawr electronic journal of the University of Pennsylvania

Research and Publications

A. Monographs

• Studies in Fourth-CenturyTragedy, Academy of Athens, Athens 1980, pp. xv + 246 +16 images. Monograph on postclassical tragedy (4^th century BC) with many good reviews and citations
• Demosthenes Against Meidias, Academy of Athens, second edition, Athens 1989, pp xxxviii+227 (in Greek). With introduction, translation, commentary, and appendices (in Greek)
• Parallel developments in post-classical (4^th century BC) tragedy and comedy, Athens 1991, pp 124+18 images. Monograph on the common trends in form and performance between 4^th century B.C. tragedy and Middle Comedy. Critical edition of the discussed texts (in Greek)
• Dramatica. Studies in Classical and Post-Classical Dramatic Poetry, second edition, Athens, 2004, pp 423. The volume includes articles published mainly in international journals from 1979 to 2001 on classical and postclassical dramatic poetry.
• Dionysius Thrax, Ars Grammatica, Athens, 2003. Introduction and editing (in Greek), Greek Language Heritace, Athens 2003 (in Greek)
• Under preparation:
• Αeschylus’ Lycurgeia: Introduction, text and commentary.
• The Middle Comedy poet Timocles: introduction, text and commentary

B. Articles in Periodicals -Conference Presentations

• “The Influence of Rhetoric on Fourth-Century Tragedy”, Classical Quarterly N.S. 29 (1979) 66-76.
• “Deviations from Classical treatments in Fourth-Century Tragedy”, Bulletin of the Institute of Classical Studies, 26 (1979) 99-103.
• “The Hector of Astydamas: Reconstruction and Motifs”, Museum Philologum Londiniense, 4 (1981) 213-223.
• “Remarks on Moschion’s Account of Progress”, Classical Quarterly N.S. 31 (1981) 410-417.
• “Notes on the Vocabulary of Post-Classical Tragedy”, Glotta 60 (1982) 93-96.
•  “Approaching and evaluating post-classical tragedy” Conference Proceedings of the Scientific Staff of the Academy of Athens, Athens 1982 , pp. 167-183 (in Greek).
• «Remarks on Tyrtaeus’ fr. 1 (Diehl )”  , Lakonikai Spoudai 6 (1982) 3-13 (in Greek).
• «Chaeremon’s Achilles Thersitoctonus. Reconstruction of a postclassical tragedy” Platon 34/35 (1982-83) 55-67 (in Greek).
•  “Specific references to Messene-Messeneans in the poetry of Tyrtaeus”, Proceedings of 2^nd Conference on Messenean Studies, Athens 1984, pp 92-100 (in Greek)
• “Demosthenes and Spartan foreign policy in the Peloponnese”, Lakonikai Spoudai  8 (1986) 181-188 (in Greek).
• “Some unrecorded words originating mainly from Greek Drama”, Glotta 63 (1985) 164-167.
• “P.Oxy. 3317: Euripides’ Antigone(?)”, Bulletin of the Institute of Classical Studies 33 (1986) 107-111.
•  “Demosthenes and the history of the Peloponnese in the middle 4^th century B.C.”, Proceedings of the 3^rd International Conference of Peloponnesian Studies, Athens 1987-88, pp 515-529 (in Greek).
• “Additional remarks on the possible attribution of some papyrus-fragments to post-classical tragedies”, Proceedings of the XVIIIth International Congress of Papyrology, Athens 1988, pp. 403-417.
• “Tragica II: A Retrospection”, Parnassos ΛΑ’ (1989) 379-402.
• “Addenda Lexicis from Aeschylus and Sophocles”, Athena 80 (1989) 269-277.
• «The Aegean in ThHeodectes’ work: the Mausolus », Parnassos ΛΒ’ (1990) 12-23 (in Greek).
• “Selective discussion of tragedy in the Poetics: Mimesis –Myth –Catharsis”, Platon 42 (1990) 107-116 (in Greek.)
•  “The Translation”, Platon 43 (1991) 90-99 (in Greek).
• “The Comic Fragment in PSI 1175: Commentary and Literary Motifs”, Proceedings of the 20^th International Congress of Papyrology, Copenhagen 1992, pp. 336-343.
• “The Daphnis or Lityerses of Sositheus”, L’ Antiquité Classique 63 (1994) 237-250.
• “Hellenistic Drama: developments in form and performance”, Platon 45 (1993) 117-133.
•  “Critical remarks on fragments from Middle Comedy”, Platon 47-48 (1995-1996) 47-58. (in Greek).
• “Boeotia in postclassical dramatic poetry”, Annals of the Society for Boeotian Studies, vol. 2 (1995) 989-1002 (in Greek).
• “The Menedemus of Lycophron: Text and Commentary”, Athena 81 (1990-1996) 339-365.
• “Echoes of earlier drama in Sositheus’ Daphnis and Lycophron’s Menedemus”, L’ Antiquité Classique 66 (1997) 121-143.
• “Aeschylus’ Fragments and Euripides’ Bacchae: Influence and Differentiations”, Platon 49 (1997) 42-67 (in Greek).
• “A Survey of the Main Papyrus Texts of Post-Classical Tragedy”, Archiv für Papyrusforschung 3 (1997) 1034-1048.
• “Homer and  Euripides: The Cyclops and the Troades”, Platon 50 (1998) 28-37.
• “Tendences littéraires d’ Euripide â Menandre: tragédie, comédie, drame satyrique”, Platon 51 (1999-2000) 34-49.
• “The Exagoge of Ezekiel and Fifth-Century Tragedy. Similarities of Theme and Concept”, Drama (Beiträge zum antiken Drama und seiner Rezeption) 10 (2001) 223-239.
• “The philosophy of Music in the work of E. Moutsopoulos” in Athlos. A dedication to Evangelos Moutsopoulos, Athens 2001, pp. 69-73. (in Greek)
• “Thoughts on the contemporary approaches to Ancient Greek literature”, Proceedings of Inernational Conference (Classical Education today), Platon Appendix 2 (2003) 315-325. (in Greek). 
•  “Ancient Greek in the Curricula of Philology Deparments”, in: (eds. I. N. Perissynakis, A. Tsaggalidis) Language and Literature in Secondary Education, University of Ioannina (2003), pp. 387-395. (in Greek)
• “N. Vrettakos’ contemplations on language”, Proceedings of the International Conference for poet Nikiforos Vrettakos (Sparta 18-21/5/2001), Athens (2004), pp. 123-135 (in Greek).
•  “Democratic institutions and tragedy”, Platon 54 (2004-2005) 9-22 (= Proceedings of the 9^th Seminar of the Council of Europe, Nicosia, pp. 30-41) (in Greek).
•  “The radiance of lyricism. From Sappho to Elytis”, Scientific Lectures of the Department of Theatre Studies of the University of the Peloponnese, Athens 2006, pp. 199-204 (in Greek).
• “Aeschylus’ Edonoi: Remarks on Style and Theme”, Actas del XI Congreso de la Sociedad Espaňola de Estudios Clásicos vol. II, 2005, pp. 553-563, Madrid.
• “Unknown aspects of Antonis Samarakis’ work”, in One-day Conference for Antonis Samarakis, University of the Peloponnese, School of Humanities, Kalamata 2007, pp. 75-84 (in Greek).
•  “Wise Melanippe and Captive Melanippe: Theme, sources, myth, date”, in: The Woman in Ancient Drama, XIII  International Meeting on Ancient Drama 2007) Proceedings of the XIII International Meeting for Ancient Drama, pp. 139-150, European Cultural Centre of Delphi) (in co-operation with E. Kafritsa)
•  “Technology in Homer”, in (ed. S. A. Paipetis) Science and Technology in the Homeric Epic Poetry, Patra 2008, pp. 41-44 (in Greek).
• “The reception of Greek in contemporary English”, Sbornik 10 (2008) (dedicated to Professor Ksenja Gadjanski) pp. 223-228, Novi Sad.
• “Democratic values in Ancient Greek tragedy”,in: Democratic principles of the classical era in contemporary political institutions (Conference Proceedings, eds. Emm. Bechrakis –Chr. Charalambakis), International Foundation for Greek Language and Culture, Athens 2008, pp. 193-198 (in Greek).
• “The language of the Hellenistic era”, Platon 56 (2008-2009) 31-38 (in Greek).
• “The knowledge of Antiquity in the work of Nikiforos Vrettakos”, in: Greek Research in Australia (Proceedings of the Biennial International Conference on Greek Studies), Adelaide (2009), pp. 705-718 (in co-operation with Nadia Panagoulea) (in Greek).
• “The Tegea inscription SIG³ 1080: remarks on the performance of postclassical plays”. In: (A. Martina & A.-T. Cozzoli, eds) La Tragedia Greca. Testimonianze Archaeologiche e Iconografiche (Atti del Convegno, Roma 14-16 Ottobre 2004), Herder Editrice e Libreria, Roma (2009), pp. 51-66.
• "Reflections and new approaches in the curricula of humanistic studies", in: Greek Strategy for Higher Education. Alternative approaches (eds. M. G. Papazoglou), Ed. Papazissis, Athens 2009, p. 271-280 (in Greek).
• "Dramatic Poetry and Polis (5th-3rd century BC): a journey." In two-day Conference: Ancient Greek theater and Athenian city, Greek Open University, National Institute of Research 9-10 May 2009, p. 22 (in Greek).
• “Konstantinos Tsatsos on language and humanistic education”. In: Konstantinos Tsatsos: philosopher, political writer (Proceedings of International Conference Athens, 6-8 / 11/2009), Granada-Athens (2010), p. 411-420 (in Greek).
• “The Persae of Aeschylus and the Troades of Euripides: A similar approach to war on the part of the defeated?", in: Perfiles de Grecia y Roma II. Actas del XII Congreso Espaňol de Estudios Clásicos, Sociedad Espaňola de Estudios Clásicos, Madrid (2010), pp. 735-741.
• “The emperor Konstantinos Palaeologos based on sources and traditions”, Platon 57 (2010-2011) 32-52 (in Greek).
• “Text and contemporary performance of tragedy”, Platon Appendix Vol. 6 (2010-2011) 19-29 (in Greek).
•  “The “Dionysiac” plays of Aeschylus and Euripides' Bacchae: Reaffirming traditional religion and cult in late fifth-century V.C. Athens ". In: Crisis on Stage. Tragedy and Comedy in Late Fifth-Century Athens (eds A. Markantonatos & B. Zimmermann), de Gruyter (Trends in Classics), Berlin / Boston (2011), pp. 323-342.
• “Rhetoric and society. The case of In Meidias speech of Demosthenes” (International Meeting "Oratory and Rhetoric in Classical Athens”, Kalamata 05/20/2011), Platon 58 (2012) 79-87 (in Greek).
• “The Archelaus of Euripides: Reconstruction and motifs”. In: Greek Drama IV. Texts, Contexts, Performance (eds D. Rosenbloom & J. Davidson) (Proceedings of the Conference "Greek Drama IV", Victoria (University, Wellington, New Zealand, 3-6 July 2007)), Aris & Phillips, London (2012) , pp. 108-126.
• “Hellenistic drama: tradition and innovation”, Stasinos XIII (2011-2012) 171-177 (in Greek).
• “The Marathon battle as a place of the Athenian political prestige in classical times”. In: Marathon - 2500 Years. Proceedings of the Marathon Conference 2010 (eds C. Carey & M. Edwards), Institute of Classical Studies, London (2013), pp. 213-221.
• “Fragmentary plays of Euripides with similar rhetorical motifs and story-pattern: the Aeolus and Melanippe the Wise”. In: Retórica y Discurso en el Teatro Griego (eds M. Quijada Sagredo & M. Carmen Encinas Reguero), Ediciones Clásicas, Madrid (2013), pp. 61-90.
• “Christus Patiens: Reception from Euripides' tragedies of passion ", In: The Reception of Antiquity in Byzantium, with Emphasis on the Paleologan Era, (ed. G. Xanthaki-Karamanou), Research Institute of Byzantine Culture, Athens (2014)  pp. 175-245 (in Greek with extensive summary in English).
• "The Aeolus of Euripides: concepts and motifs", Bulletin of the Institute of Classical Studies 57 (2014) 49-60 (in collaboration with E. Mimidou).

C. Scientific Editing of Publications

I.As Director of the Centre for Editions of Ancient Greek Texts of the Academy of Athens (1985-1994), she was in charge of the scientific editing of 3 series of publications of Ancient Greek and Byzantine texts:

1.Commentaries, with introduction and text: Demosthenes (Against Meidias, Olynthiacs I-III), Arrian (History of Alexander) and Euripides (Electra).

2.Critical editions with commentary: Porphyrius Life of Plotinus and Plotinus’ Enneades.

3.Critical editions of Byzantine texts: Chronography by Ephrem and C. Manasses

II.Since 1997 she has been the Editor-in-chief of Platon, the philological journal of the Society of Greek Philologists.

III.Editor-in-chief of the series “Ancient Greek Literature” of the Papazissis Publications:

1.In “Translations of Classical Monographs”:

i.History of Greek Literature by S. Saïd, M. Trédé και A. Le Boulluec vol. 1 (2001) and 2 (2004).

ii.Democracy in Classical Athens by C. Carey (2010).

2.In “Ancient Greek Texts”: Thucydides’ Archaeology (I. 2-19) and Pentekontaetia (I. 89-118), Demosthenes On the Navy-Boards, Aristotle’s Literary Quotations from the Rhetoric, Aristotle’s Rhetoric (1^st and 2^nd books), Plato’s The Apology of Socrates, Pindar’s Twelfth Olympian Ode, Lysias’ Speeches (Against Agoratos and Against Nicomachus).

3.In “Monographs in Ancient Greek literature”: Hippocrates’ On nutrition, Plotinus’ Ontology, Greek Mythology-Laconia, The style of Ancient Greek prose (2 volumes), The iconography of Euripidean plays.   

IV.Editor of the volume Athlon dedicated to Professor Evangelos Moutsopoulos (publication of the University of Athens, Athens 2001)

V.She supervised the collective volume “Messinia. Contributions to its history and culture”, Papazissis Publications, Athens 2012 (pp. 727).

VI.Editor of the Proceedings of the International Conference “The Reception of Antiquity in Byzantium, with Emphasis on the Paleologan Era”, Research Institute of Byzantine Culture, Athens (2014)  pp. 394.

International Appreciation

INDICATIVELY

• Positive book-reviews on her work in international journals, e.g.:  Billerbeck (Museum Helveticum), A. F. Garvie (Classical Review), H. Van Looy (Antiquité Classique), P. Ghiron-Bistagne (Revue des Etudes Grecs), R. Daw (Classical Philology), H. Kuch (Gnomon), G. Giangrande (Museum Philologum Londiniense), F. R. Adrados (Emerita) and others.
• Citations (around 500) of her publications by other scholars.
• External examiner in doctoral dissertations in foreign universities
• Invited lectures in post-graduate seminars (University College and Royal Holloway of the University of London, University of Geneva)

 

CITATIONS (indicatively):

 

The monograph Studies in Fourth-Century Tragedy has been cited, among others, by:

-  M.S. Silk, Classical Quarterly 33 (1983) 319 n. 56, Greece and Rome 32 (1985) 20 n. 14..

- H. Flashar, Poetica 16 (1984) many times.

- The Cambridge History of Classical Literature, I. Greek Literature (eds Ρ.Ε. Easterling and Β.Μ. Knox), Cambridge University Press 1985, p. 772.

- R. Kannicht, Tragicorum Graecorum Fragmenta 2, I. Göttingen 1986, in the prologue.

- M. Heath, The Poetics of Greek Tragedy, London 1987: p. 86 n. 87, p. 130 n. 13, p. 215.

- D.L. Burges, Classical Journal 83 (1988) 103 n. 1.

- Η E. Belfiore, Classical Philology 83 (1988) 186 n. 12.

-  H. Kuch, Philologus 133 (1989) 31 n. 17, Philologus 135 (1991) 91 n. 9, 92 n. 11 and 14, 93 n. 18.

-  H. Flashar, Eidola: ausgewaehlte kleine Schriften, Amsterdam 1989, p. 150, Philologus 135 (1991) 92 n. 10.

- H.G. Nesselrath, Die attische Mittlere Komödie. Ihre Stellung in der antiken Literaturkritik und Literaturgeschichte, Berlin-New York 1990, p. 240 n. 161.

-  J.R. Green, Greek, Roman and Byzantine Studies 31 (1990) 281 n. 2.

- A. F. Garvie, Aeschylus Choephori, with introduction and commentary, Oxford 1986, p. 312.

- Synnove des Bourvie, Women in Greek Tragedy, Symbolae Osloenses fasc. Suppl. XXVI, Norwegian University Press 1990 p.323,1 and in the bibliography (p. 388).

- R. Kannicht, MusaTragica. Die griechische Tragödie von Thespis bis Ezechiel, Göttingen 1991, pp. 13, 247, 248, 289 (3 times), 292 (twice).

- Ο H. Kuch, “Continuity and Change in Greek Tragedy”, in the collective volume Tragedy, Comedy and the Polis (eds A.H. Sommerstein et al.), Bari 1993, many times.

-  P.E. Easterling in the same work as above pp. 562, 563, 8-10.

- Ch. Zimmermann, Der Antigone-Mythos in der antiken Literatur und Kunst, ClassicaMonacensia, b. 5, Tübingen 1993, many times.

- P.A. van der Waerdt, Ramus 11 (1982) 42 (n. 18).

- Κ.S. Rothwell, Greek Roman and Byzantine Studies 33 (1992) 219 (n. 40).

- Ε. Hall, Symposion 1993, Vorträge zur griechischen und hellenistischen Rechtsgeschichte (herausgegeben von G. Thur), Köln/Weimar/Wein 1994, pp. 306 (n. 7), 308 (n. 24 and 27), 309 (n. 45).

-  P. J. Wilson, in the same work as above, p. 324 n. 4.

- Α. Cameron, Callimachus and his Critics, Princeton Univ. Press, Princeton 1995, pp. 40 (n. 104) and 41 (n. 114).

- G. W. Dobrov, Beyond Aristophanes: Transition and Diversity in Greek Comedy, Atlanta 1995, p. 111.

- W. G. Arnott, Alexis. The Fragments. A Commentary, Cambridge Classical Texts and Commentaries n. 31, Cambridge Univ. Press 1996, pp. 200 n. 2, 502.

- S. Saïd, M. Trédé και A. Le Bolluec, Histoire de la Littérature grecque, P.U.F., Paris 1997, p.660.

- N. T. Croally, Euripidean Polemic: The Trojan Women and the Function of Tragedy, Cambridge 1994, pp. 251 (twice), 289.

-  F. M. Dunn, Tragedy’s End: Closure and Innovation in Euripidean Drama, New York/Oxford 1996, pp. 228, 244.

-  R. Green, Theatre in Ancient Greek Society, London - New York 1994, p. 183: “The best treatment of fourth-century tragedy is G. Xanthakis-Karamanos’ Studies”.

-  P.E. Easterling, The Cambridge Companion to Greek Tragedy, Cambridge 1997, pp. 33 n. 45, 212 n. 6, 215 n. 18, p. 378.

- H. van Looy καί F. Jouan, Euripide Fragments, Les Belles Lettres, 1er partie, pp. 88, 202, 4eme partie, p. Χ.,

- M.S. Silk, Tragedy and the Tragic: Greek Theatre and Beyond, Oxford 1998, p. 308.

- M. A. Vinagre, “La tragedia Griega del Siglo IV A. C.: Nuevas perspectivas”, Actas de X Congreso Español de Estudios Clásicos, vol I, Madrid 2000, pp. 665 n. 1, 666, 667 n. 8.

- W. Allan, The Andromache and Euripidean Tragedy, Oxford 2000, pp. 54, 297.

- Ε. Belfiore, Murder among Friends: Violation of Philia in Greek Tragedy, New York 2000, p. 256.

-  D.T. Steiner, Images in Mind: Statues in Αrchaic and Classical Greek Literature and Thought, Princeton 2001, p. 55.

- P.E. Easterling - E. Hall, Greek and Roman Actors: Aspects of an Ancient Profession, Cambridge 2002, p. 224.

-  A.H. Sommerstein, H., Greek Drama and Dramatists, London - New York 2002, p. 178.

- P. Wilson, The Athenian Institution of the Khoregia: The Chorus, the City, and the Stage, Cambridge 2003, p. 420.

- K. Zacharia, Converging truths: Euripides’ Ion and the Athenian quest for self-definition, Leiden 2003, p. 211.

-  R. Garland, Surviving Greek Tragedy, London 2004, p. 237.

-  R. Kannicht, Tragicorum Graecorum Fragmenta, v. I, Göttigen 2004, p. 263.

-  R. W. Bushnell, A Companion to Tragedy, Oxford: Blackwell 2005, p. 282.

- R. Hunter - M. Fantuzzi, Tradition and Innovation in Hellenistic Poetry, Cambridge 2005, p. 432

-  Α. Duncan, Performance and Identity in the Classical World, Cambridge 2006, p. 58.

-   G. J. Pinault, - D. Petit, La langue poétique indo-européenne: Actes du colloque de travail de la Société des etudes indo-européennes, Leuven-Paris, p. 194.

-  P. Lafranchi, L’ Exagoge d’ Ezekiel le tragique, Brill, Leiden 2006, many times.

- M. Hose in Milagros Quijada Sagredo (ed.) Estudios sobre Tragedia Griega. Euripides, el teatro griego de finalesdel siglo V a.C. y su influencia posterior, Ediciones Clásicas Madrid (2011), p. 13 n. 10.

- Milagros Quijada Sagredo in the same work as above, pp. 32-33 n. 5.

- G. Mastromarco and P. Totaro, Storia del Teatro Greco, Le Monnier Universitá (2012) Milano, p.272.

 

The monograph Parallel developments in postclassical (4^th century B.C.) tragedy and comedy has been cited, among others, by:

-  Η. Kuch, Philologus 133 (1989) 31 n. 15,  “Continuity and Change in Greek Tragedy” in Tragedy, Comedy and the Polis (eds A.H. Sommerstein et al.), Bari 1993, pp. 550, 551 (3 times), 552, 553.

- M. A. Vinagre, “La tragedia Griega del Siglo IV A. C.: Nuevas perspectivas”, Actas de X Congreso Español de Estudios Clásicos, vol I, Madrid 2000, p. 668 n. 12.

- Ρ. Grossardt, Die Erzaehlung von Meleagros, Leiden 2001, p. 320.

- A. Papachrysostomou, Six Comic Poets. A Commentary on Selected Fragments of Middle Comedy, Tübingen 2007, p. 303.

 

The article  “The influence of rhetoric on fourth-century tragedy”, CQ 29 (1979) 66-76 has been cited, among others, by:

- H. Kuch, Die griechische Tragödie in ihrer gesellschaftlichen Funktion, Berlin 1983, p. 202.

-  B. Snell and  R. Kannicht, Tragicorum Graecorum Fragmenta 2, I. Göttingen 1986 Appendix, p. 354.

-  M. Lloyd, The Agon in Euripides, Oxford 1992, pp. 18, 2, 119, 24, 140.

- Ch. Zimmermann, Der Antigone-Mythos in der antiken Literatur und Kunst, Classica Monacensia, b. 5, Tübingen 1993.

-  J.R. Porter, Studies in Euripides’ Orestes, Leiden 1994, p. 2.

-  Ι. Worthington, Persuasion: Greek Rhetoric in Action, London - New York 1994, p. 273.

-  P.E. Easterling, The Cambridge Companion to Greek Tragedy, Cambridge 1997,p. 318.

-  Chr. Pelling, Greek Tragedy and the Historian, Oxford 1997, p. 125.

-  M. A. Vinagre, “La tragedia Griega del Siglo IV A. C.: Nuevas perspectivas”, Actas de X Congreso Español de Estudios Clásicos, vol. I, Madrid 2000.

-  D.N.C. Wood, Exiled from Light: Divine Law, Morality, and Violence m Milton’s “Samson Agonistes”, Toronto 2001, p. 225.

 

The article “Deviations from Classical Treatments in Fourth-Century Tragedy”, BICS 26 (1979) 99-103 has been cited, among others, by:

- Κ. Treu, “Zur Wirkungsgeschichte in der Antike” in Die griechische Tragödie in ihrer gesellschaftlichen Funktion, Akademie-Verlag-Berlin 1983, p. 202 n. 3.

-  Α.Ν. Michelini, Euripides and the Tragic Tradition, The University of Wisconsin Press 1987, p. 53 n. 2, p. 286ff.

-  Ch. Zimmermann, Der Antigone-Mythos in der antiken Literatur und Kunst, Classica Monacensia, b. 5, Tübingen 1993.

 

The article “The Hector of Astydamas: Reconstruction and Motifs”, MPhL 4 (1981) 213-223 has been cited, among others, by:

- Α.Ν. Michelini, Euripides and the Tragic Tradition, The University of Wisconsin Press 1987.

 

The article “Notes on the Vocabulary of Post-Classical Tragedy”, Glotta 60 (1982) 93-96 has been cited, among others, by.

- Μ. Spyridonidou-Skarsouli, Der erste Teil der fünften Athos-Sammllung griechischer Sprichwörter, Berlin - New York 1995, p. 245.

 

The article “Some unrecorded words originating mainly from Greek Drama”, Glotta 63 (1985) 164-167 has been cited, among others, by:

-  A. Hohlweg, Byzantinische Zeitschrift 79 (1986), p. 384.

- H. Kuch, “Continuity and Change in Greek Tragedy” in Tragedy, Comedy and the Polis (eds A.H. Sommerstein et al)., Bari 1993, pp. 550-53.

 

The article “P.Oxy. 3317: Euripides’ Antigone(?)”, BICS 33 (1986) 107-11 has been cited, among others, by:

- Ch. Zimmermann, Der Antigone-Mythos in der antiken Literatur und Kunst, Classica Monacensia, b. 5, Tübingen 1993.

-  H. van Looy and F. Jouan, Euripide Fragments, Les Belles Lettres, Paris 1998, pp. 198, 202.

-  R. Kannicht, Tragicorum Graecorum Fragmenta, v. I, Göttigen 2004, p. 271.

 

The article “The tragedy of the 4^th century B.C.”, Hellenica 37 (1986) 171-188 (in Greek) has been cited, among others, by:

-  Ο. Karavas, Lucien et la tragédie, Berlin - New York 2005, σ. 209.

 

The article “Selective discussion of tragedy in the Poetics: Mimesis –Myth –Catharsis”, Platon 42 (1990) 107-116 (in Greek.) has been cited, among others, by:

-  Η. White, “Two notes on Greek tragedy” Myrtia 25 (2010) 301-304, pp. 301 (twiceς), 302 n. 3.

 

The article “The comic fragment in PSI1175: Commentary and literary motifs”, Proceedings of the 20^th Internationa lCongress of Papyrology, Copenhagen (1992) 336-343 has been cited, among others, by:.

-  R. Kassel και C. Austin, Poetae Comici Graeci  vol. VIII, W. de Gruyter, Berlin 1995, p. 355.

-  Ε. W. Handley, The Oxyrhynchus Papyri  LXII (1996) no. 4242, n. 2.

 

The article “Hellenistic drama: Developments in form and performance”, Platon 45 (1993) 117-133 has been cited, among others, by:

-  E. Hall, “The Singing Actors of Antiquity”, in  (eds P.E. Easterling and E. Hall) Greek and Roman Actors, (Cambridge 2002), p. 38.

-  R. Garland, Surviving Greek Tragedy, London 2004, p. 276.

-  P. Lafranchi, L’ Exagoge d’ Ezekiel le tragique, Brill, Leiden 2006, p. 20 n. 13.

 

The article “The Daphnis or Lityerses of Sositheus”, ACl  63 (1994) 237-250 has been cited, among others, by:

-  Ν. Pechstein, Euripides Satyrographos, Leipzig 1998, pp. 285 n. 4, 268 n. 7.

 

The article “Echoes of earlier drama in Sositheus’ Daphnis and Lycophron’s Menedemus”,  ACl  66 (1997) 121-143 has been cited, among others, by:

-  H. van Looy and F. Jouan, Euripide Fragments, Les Belles Lettres, Paris 2000, p. 144 n. 2.

-  Ι. Karamanou, Euripides Danae and Dictys, Beiträge zur Altertumskunde, Band 228, München-Leipzig (2006), p. 154.

 

The article “A survey of the main papyrus texts of post-classical tragedy”, Archiv für Papyrusforschung 3 (1997) 1034-1048 has been cited, among others, by:

-  M. A. Vinagre, “La tragedia Griega del Siglo IV A. C.: Nuevas perspectivas”, Actas de X Congreso Español de Estudios Clásicos, vol I, Madrid 2000, p. 665 n. 1.

 

The article “The Exagoge of Ezekiel and fifth-century tragedy. Similarities of theme and concept”, Drama 10 (2001) 223-239 has been cited, among others, by:

-  P. Lafranchi, L’ Exagoge d’ Ezekiel le tragique, Brill, Leiden 2006, p. 20 n. 16 and p. 123.

 

The book Dramatica. StudiesinClassicalandPost-ClassicalDramaticPoetry has been cited, among others, by:

- E. Poehlmann, «Dramatic texts in the fragments from ancient Greek music», Platon 54 (2004-2005) 23-45, pp. 35, 37, 40.

Other Activities

• As a member of the Governing Board and Chair of the Faculties of History, Archaeology and Cultural Management and of Philology of the University of the Peloponnese, she organized the course guides and curricula, the laboratories and the library of the School, the Summer School for the youth of the Greek Diaspora, the Research Institute of Byzantine Culture in Mystras and other activities of these Faculties.
• As a member of the Board (since 1991) and President (since 2000) of the Society of Greek Philologists, which includes 3000 members, she organized many Greek and International conferences and gave lectures on topics of language, education and culture.
• As a member and vice-president of the Board of the cultural association “Greek Languae Heritage”, she organized and participated with lectures in all activities regarding the promotion of Greek language.
• Professor Xanthaki  has also given many lectures on various occasions, especially on Greek language, literature, education  and civilization. She has also presented monographs and editions on Greek literature and history.
• She has supervised more than 10 Doctorate Theses, many Master’s Theses and has participated in many examination committees for dissertation research (Doctorate and Master’s Theses). 

Scientific Associations

• Society of Greek Philologists (President)
• Greek Language Heritage (Vice-President)
• Helenic Society, London
• Societė Internationale des Papyrologues, Bruxelles
• Society for the Peloponnesian Studies
• etc .